Saturday, April 16, 2011

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" While the goal of all the movies is entertainment, the kind of films in which I believe go a step further, forcing the viewer to examine a facet and one of his own conscience . It stimulates thought and allows mental trials flourish "


On April 9 the history of cinema he would receive a blow. Sidney Lumet , one of its directors impeccable left us at 86 years of age.

Born in Philadelphia (Pennsylvania) on June 25, 1924, soon moved with his family to New York, a city closely linked over time to their own cinema.

" Its diversity, its many ethnic neighborhoods, its arts and its crimes, its sophistication and its corruption, its beauty and ugliness "

son of actor Baruch Lumet, Sidney grew up in an artistic environment, accompanying and after four years of age at his father's Yddish Theatre New York.


After fifteen years as a stage actor, in 1951 began a successful television career as a director in a dozen series, among which were "Danger " "You Are There " or " The Alcoa Hour . "

And in 1957 he debuted on the big screen, brilliantly, with " Twelve Angry Men."


An impeccable direction of Sidney Lumet, a great script by Reginald Rose, a perfect picture of Boris Kaufman and a superb cast of real estate, have made "Twelve men merciless "in what is now a great classic film in its own right.

Lumet devoted a large part of his film adaptation of literary authors as Anton Chekhov, Tennessee Williams, Arthur Miller, Eugene O'Neil, Peter Shaffer or Ira Levin.


" Fugitive" was the film adaptation of a play by Tennessee Williams through a script written by the author. Marlon Brando, Anna Magnani and Joanne Woodward headed a perfect casting.


" Long Day's Journey Into Night " adapted to turn the play by Eugene O'Neil. Katharine Hepburn, Ralph Richardson and Jason Robards also rounded out a superb cast.


Sidney Lumet also adapted for the big screen by British writer Agatha Christie. The title chosen was " Murder on the Orient Express " and paraded the movie big names such as Albert Finney, Lauren Bacall, Ingrid Bergman, Sean Connery, John Gielgud, Vanessa Redgrave, Anthony Perkins ... Another great deal.


But he also knew venture with expertise in the Second World War left us this gem of film called "The Hill " full-fledged defense of human dignity within the military discipline.


His experience in the television world was more than shown in " Network, an unforgiving world, the power analysis TV shows its competitive world. Peter Finch, William Holden, Faye Dunaway, Robert Duvall ... Once again a deal to be taken into account.

" S i prayed for you to make a character, Sidney exerted a priest to hear your prayers, helping you to come true "
( Al Pacino)


Led by a superb Al Pacino, also gave us great titles like " Dog Day Afternoon" or "Serpico ."


Y Verdict ", through a superb Paul Newman. After a trial, Lumet told Newman that he was escaping an aspect of the personality of Frank Galvin, his character. Newman was thoughtful. The next day, after delving into its dark side, its interpretation sparks.

Other titles in the films of Sidney Lumet were "Lender" "Limit point", "The Offense", "The Death Trap", "The next morning," "A Place Nowhere," "Gloria" ...


And his latest work, " Before the Devil Knows You're Dead ", of which Washington Post said: " addition to being worthy of study for their great performances, is worthy of study for his great leadership . "

Sidney Lumet directed a total of 72 titles between cinema and television. His films, always classic, dealt with a critical eye of society, focusing on the psychology of the characters and, always, always, through a flawless directing actors.


A long list of awards and nominations punctuated his career, which would be under-recognized in Hollywood with an Honorary Oscar his entire career in 2005.

was nominated, yes, as director of the Academy Awards four times: "Twelve Angry Men," "Dog Day Afternoon," "Network" and "The Verdict." And won the Golden Globe for best director for "Network" and the Golden Bear at the Berlin Film Festival for "Twelve Angry Men."


Thanks, Sidney , to give priority in movies to what really matters. A history, human relations, the transmission of a message and further reflection.

And thanks for being an impeccable actor's director. A great film director.

" There are many good stories to tell related to the dark side of human beings. And if you create reasons for the decisions of the characters you get a good movie "
(Sidney Lumet )

Monday, April 11, 2011

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Davis and Lewis

Today" The Big Screen "meets and two years. A display that I am still sharing with you all, thank you, faithful viewers.

I admired Jerry Lewis was the protagonist of his first post , who better than he could inaugurate it. And it was again at the conclusion of the first anniversary d and this film blog.


With what is quite clear that Jerry becomes cinematic and my lucky charm, he also celebrating today the second anniversary. And with its large friend Sammy Davis, Jr. , who has not wanted to miss this celebration. And I, delighted, what a luxury.

One night, the actor Jeff Chandler asked Jerry Lewis to accompany him to Ciro's to see the performance of Will Mastin Trio . Jerry still remember seeing them opening for Mickey Rooney in a role in the Loew's State .


" Its role, ten minutes was most convincing. The best of the three, the middle one, dancing as if a nuclear accelerator on his feet, imitating Danny Kaye so well that I almost think it was painted himself black Kaye "

So Jerry went to Ciro's with Jeff, that after the show took him backstage to present, of course, with Sammy Davis Jr .

" As we met, it seems that there was
a positive chemical reaction "

At that time, black performers were not allowed to step on the casino hotels in Las Vegas, having to enter through the back door the artists, and leave the same way.

As Jerry himself tells in his autobiography " Jerry Lewis Jerry Lewis " realized this "unbearable standard" when he and Dean Martin acted in the Sands hotel . They shared the bill with Step Brothers , who came to welcome Jerry to his dressing room at halftime of their performance the second night of the premiere. I suggested then to go out and shop around for cooling a bit and they told him they were not allowed out, they were the rules and could only go to dance.


Lewis immediately filed in the office of director of the show asking him to do something about it. By not getting more phrase than " rules are," Jerry told him that if Step Brothers not dined that night in the dining room and play freely in their casino, he and Martin would not carry out its second function, or that night or any other.

Step Brothers The had carte blanche at the hotel and Jerry was noted in the blacklist of the Sands. But not for long, because the money generated each night Jerry and Dean was stronger for senior casino.

" The emotional core of our friendship came to see clearly what was his problem. A situational problem ...
being born black in a white America "

Jerry Lewis Sammy always referred to as his closest friend. And Davis always was grateful to Lewis for his unconditional support in terms of their " racial issues, which were not exactly short.


A friendship that existed between them would be perfectly sealed with multiple appearances on the Sammy Jerry Lewis MDA Telethon against muscular dystrophy.

deserved homage to Al Jolson, singer and actor recalled, idol Jerry Lewis in a wonderful selection of songs where neither could resist to appear as authentic and genuine showman ...


Playing together the song "Without you 'm nothing", which first made reference each other and moved after the meaning of the lyrics to the viewer ...

And above all, in one of his best moments, joint interpretation of " Friendship", which became abundantly clear that not only joined a very close friendship, but it also went really well together. How lucky for both.


And what great. Thanks Jerry, thanks Sammy. For sharing with us all the good times with that wonderful background music.

" Sam and I got to know each other very well. Serious in talks and we were very close to each other. I came to love very much Sam "
(JERRY LEWIS )

Monday, April 4, 2011

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Magazine No 329 Chimaera. April 2011. Kids Special

Friday, April 1, 2011

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Criticómic 9. (No Man's Land. Barcelonés magazine)



biography of the great Dani El Rojo. R'n'R and pure life.